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	<title>CB Publishing: Quality Books, Music, Entertainment and Education</title>
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	<link>http://www.cbpublish.com</link>
	<description>Reviews, Updates and Information</description>
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		<title>Jean Toomer&#8217;s &#8220;Cane&#8221; Assignment</title>
		<link>http://www.cbpublish.com/2012/02/22/jean-toomers-cane-assignment/</link>
		<comments>http://www.cbpublish.com/2012/02/22/jean-toomers-cane-assignment/#comments</comments>
		<pubDate>Wed, 22 Feb 2012 16:40:39 +0000</pubDate>
		<dc:creator>CD Burns</dc:creator>
				<category><![CDATA[African American Authors]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[African-American Literature]]></category>
		<category><![CDATA[CANE]]></category>
		<category><![CDATA[Jean Toomer]]></category>
		<category><![CDATA[Sweat]]></category>
		<category><![CDATA[Zora Neale Hurston]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/?p=384</guid>
		<description><![CDATA[The Harlem Renaissance has been our first move away from the poetry and literature of slavery and reconstruction. That is kind of obvious, but I know that reading the early works of Black writers becomes a difficult process since it forces us to analyze the darkest period of American history. There is also a lack of deviation from the theme of oppression in the literature of this period. This is not a good or bad thing, but it does create a situation where the reader begins to recognize the consistency and while the writing is VERY important, the reader (aka the student) begins to tune out the repetitious refrains of struggle. This is unfortunate because the work here is critical to understanding the shifts that occur in Black literature. Before I dive into the assignment for Cane, I&#8217;d like to discuss why I get so excited about reading aloud. For those of you not in the class, I actually read the text aloud using voices to create a better understanding. I find that my engagement brings about a more developed discussion and we are able to insert discussions about dialogue, characterization and in many cases the duality that exists in [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="alignleft" src="http://2.bp.blogspot.com/_7jXJSPB8lwg/S97mEcFsnuI/AAAAAAAAAB4/3DM0cy865d4/s1600/cane-august-11-20091.jpg" alt="" width="138" height="173" />The Harlem Renaissance has been our first move away from the poetry and literature of slavery and reconstruction. That is kind of obvious, but I know that reading the early works of Black writers becomes a difficult process since it forces us to analyze the darkest period of American history. There is also a lack of deviation from the theme of oppression in the literature of this period. This is not a good or bad thing, but it does create a situation where the reader begins to recognize the consistency and while the writing is VERY important, the reader (aka the student) begins to tune out the repetitious refrains of struggle. This is unfortunate because the work here is critical to understanding the shifts that occur in Black literature.</p>
<p style="text-align: justify;">Before I dive into the assignment for <em>Cane</em>, I&#8217;d like to discuss why I get so excited about reading aloud. For those of you not in the class, I actually read the text aloud using voices to create a better understanding. I find that my engagement brings about a more developed discussion and we are able to insert discussions about dialogue, characterization and in many cases the duality that exists in the text that is overlooked, is discovered. We recently read <em>Sweat</em> by Zora Neale Hurston. <em>Sweat</em> is one of my favorite short stories and the use of dialect by Zora directly influences the interpretation of the text. In other words you have to read the story out loud to garner the rich and creative language Zora uses in <em>Sweat</em>. One of the primary things you realize is that alliteration and biblical allusions are all over<em> Sweat</em> and this contributes to the foreshadowing.</p>
<p style="text-align: justify;">Unlike<em> Sweat</em> the excerpt from <em>Cane</em>, (a huge influence on my novel Archie&#8217;s Psalm) is not so easily accessible and open to discussion. By now, most of my students realize that I don&#8217;t attempt to bring footnotes or research into the reading of a text. I attempt to place my reading in the realm of where the original reader of text may have been. Considering this is quite impossible for multiple reasons (1 I&#8217;ve studied the stuff in college, 2 I was not alive in the early 1900s so I can&#8217;t really understand the moment in which the story was created), I do feel that approaching the text without reading multiple analysis allows me to interpret the text without being influenced by someone&#8217;s ideas.</p>
<p style="text-align: justify;">Cane is a book that defies tradition and technique. It is both novel and drama, poetry and musings, and at the core anthropological. More than likely you haven&#8217;t read a book like this before so discussing this book will lead to a lot of questions. After reading this book over and over, I still do not follow some of the references (and unfortunately for you the artwork/symbols drawn in the text is not included in this version). This excerpt does however introduce the core elements of the complete text (I use complete with a bit of hesitance here). I feel that to better understand Cane I have to give you an assignment that will place you in the proper place to discuss the text.</p>
<p style="text-align: justify;"><strong>The CANE Assignment due March 13th 100pts</strong></p>
<p style="text-align: justify;">Go outside, somewhere, and observe your neighborhood, park, a house and while you are watching write down everything you see. Focus in on one thing in particular, preferably a person, and recognize the colors around, on that person, the foliage, everything. Then <strong></strong></p>
<p style="text-align: justify;"><strong>Write a Syllabic Poem:</strong> 7 syllables per line 10pts. 7 lines long 10pts, use a simile in the poem 10pts, utilize imagery (sight, sound, mental, taste, touch, smell) 10pts.</p>
<p style="text-align: justify;">Go outside another day and <strong>write an analysis/observation</strong> of the area, people and connect it to the poem in some fashion. 10pts This is 1 paragraph, maybe 2 and can include what you think a conversation might be with this person. Then talk with someone and write down how the discourse felt. 10pts.</p>
<p style="text-align: justify;">Write a quatrain 10pts. Use Iambic pentameter 10pts with a rhyme of ABBA 10pts, utilize imagery of course and connect it to the 1st poem. 10pts.</p>
<p style="text-align: justify;">This assignment will then make you aware of what Jean Toomer might have done to create Cane. This will also take you away from the mechanical and researched based writing that you are familiar with. If you have any questions, don&#8217;t hesitate to ask.</p>
<p style="text-align: justify;">Prof. B.</p>
<p>&nbsp;</p>
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		<title>African-American Literature Test 1</title>
		<link>http://www.cbpublish.com/2012/02/21/african-american-literature-test-1/</link>
		<comments>http://www.cbpublish.com/2012/02/21/african-american-literature-test-1/#comments</comments>
		<pubDate>Tue, 21 Feb 2012 05:21:25 +0000</pubDate>
		<dc:creator>CD Burns</dc:creator>
				<category><![CDATA[African American Authors]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[African-American Literature]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/?p=382</guid>
		<description><![CDATA[Okay here is the first take home test. Anyone visiting the site who is interested in taking the test is more than welcome. The test is 7 pages. Please take the time to print this test and answer the questions completely. The test should be submitted along with the Literary Critique on one of the poems we read during the first few sections. You are more than welcome to work with a classmate on this test, or ask someone you think may have the answers. Due date: March 1st Submission Guidelines: Please print and submit the test by the end of the class. I will not accept the test after the end of the class on March 1st. Click this link to download AFRICAN AMERICAN Lit Test 1]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Okay here is the first take home test. Anyone visiting the site who is interested in taking the test is more than welcome. The test is 7 pages. Please take the time to print this test and answer the questions completely. The test should be submitted along with the Literary Critique on one of the poems we read during the first few sections. You are more than welcome to work with a classmate on this test, or ask someone you think may have the answers.</p>
<p style="text-align: justify;"><strong>Due date:</strong> March 1st</p>
<p><strong>Submission Guidelines:</strong> Please print and submit the test by the end of the class. I will not accept the test after the end of the class on March 1st.</p>
<p><strong>Click this link to download <a href="http://www.cbpublish.com/afamertest1.pdf" target="_blank">AFRICAN AMERICAN Lit Test 1</a></strong></p>
]]></content:encoded>
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		<item>
		<title>African American Literature: The Harlem Renaissance 1919-1940</title>
		<link>http://www.cbpublish.com/2012/02/16/african-american-literature-the-harlem-renaissance-1919-1940/</link>
		<comments>http://www.cbpublish.com/2012/02/16/african-american-literature-the-harlem-renaissance-1919-1940/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 05:19:03 +0000</pubDate>
		<dc:creator>CD Burns</dc:creator>
				<category><![CDATA[African American Authors]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[Black Writers]]></category>
		<category><![CDATA[African-American Literature]]></category>
		<category><![CDATA[Claude McKay]]></category>
		<category><![CDATA[Countee Cullen]]></category>
		<category><![CDATA[Harlem Renaissance]]></category>
		<category><![CDATA[James Weldon Johnson]]></category>
		<category><![CDATA[W.E.B. Dubois]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/?p=380</guid>
		<description><![CDATA[We discussed the Reconstruction and the Great Migration very briefly. What remains important in looking at the Reconstruction period of literature is  how Blacks had to learn to adjust to not pursuing freedom from slavery any longer, but pursuing equality in a world that still required them to remain third class citizens. What is even more important is in the Reconstruction we have the beginning of Black on Black (colorism) that basically extends the problem of the house negro vs the field negro. *What two writers could be described as representing the internal conflict of African Americans? Interestingly enough these two writers could also be said to represent the problem of color in the African American community as well as the problem of leadership. Moving into the Harlem Renaissance it becomes evident that Alan Locke&#8217;s New Negro seems more at liberty to discuss frustrations (I think that may be the wrong word-liberty). The New Negro also is creating a new narrative that does not have to show the best of the people. What do I mean by this? Black writers were writing in a way that generated a conflict between these new young writers and people like W.E.B. DuBois. Consider [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">We discussed the Reconstruction and the Great Migration very briefly. What remains important in looking at the Reconstruction period of literature is  how Blacks had to learn to adjust to not pursuing freedom from slavery any longer, but pursuing equality in a world that still required them to remain third class citizens. What is even more important is in the Reconstruction we have the beginning of Black on Black (colorism) that basically extends the problem of the house negro vs the field negro. *What two writers could be described as representing the internal conflict of African Americans? Interestingly enough these two writers could also be said to represent the problem of color in the African American community as well as the problem of leadership.</p>
<p style="text-align: justify;">Moving into the Harlem Renaissance it becomes evident that Alan Locke&#8217;s New Negro seems more at liberty to discuss frustrations (I think that may be the wrong word-liberty). The New Negro also is creating a new narrative that does not have to show the best of the people. What do I mean by this? Black writers were writing in a way that generated a conflict between these new young writers and people like W.E.B. DuBois. Consider these questions to gain a better understanding of the Harlem Renaissance:</p>
<p style="text-align: justify;"><strong>Questions</strong></p>
<p style="text-align: justify;">Who was the first poet to be published by a major publishing house in 1925?</p>
<p style="text-align: justify;">Who wrote the first work of fiction to be published by a New York publisher?</p>
<p style="text-align: justify;">Harlem and New York became the headquarters of what two cultural and political organizations?</p>
<p style="text-align: justify;">What graduate of Cornell took over the editor&#8217;s job of the <em>Crisis</em> and discovered and nurtured several young writers of the Renaissance?</p>
<p style="text-align: justify;">Why is Ridgely Torrence important? Also why is this white playwright considered the lead in to the new movement by Black writers?</p>
<p style="text-align: justify;">As I mentioned earlier, blacks began writing in a more direct manner about their frustrations. What Jamaican born poet introduced a more defiant tone in his poetry?</p>
<p style="text-align: justify;">During the Reconstruction dialect poems dominated the literature of Blacks. Who condemned this type of poetry? What did he think should be done to remove the stigma associated with dialect poetry?</p>
<p style="text-align: justify;">What was the name of the theater established by DuBois and what were the principles of this theater?</p>
<p style="text-align: justify;">Why did the Harlem Renaissance decline?</p>
<p style="text-align: justify;">Analyze &#8220;If We Must Die&#8221; by Claude McKay and answer these questions:</p>
<p style="text-align: justify;">Show a simile and the two things being compared:</p>
<p style="text-align: justify;">What is the rhyme scheme?</p>
<p style="text-align: justify;">What is the line length?</p>
<p style="text-align: justify;">What type of poem is this?</p>
<p style="text-align: justify;">Why is this poem important?</p>
<p style="text-align: justify;">Is this a Shakespearean form or Petrarchan?</p>
<p style="text-align: justify;">
<p style="text-align: justify;">That&#8217;s it for now. I will pass out the test (a culmination of all of the posts on the blog and additional questions from the lectures, handouts and notes. I am very interested in your thoughts about the conflicts within the Black community and how these conflicts still exist today. Light skin vs dark skin, educated vs workers, old vs young, are all things that stem directly from the formation of the ghetto in America. The Great Migration, the formation of unions, the limited access to unions, employment and the separation of family in the Black community due to the migration north of Blacks looking for work in industry shapes the literature of the Harlem Renaissance, but those same things also inspired hope and a distancing from White poets like T.S. Eliot. How does the duality of Blackness still affect Blacks?</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>My Annual &#8216;Valentine&#8217;s Ruins Perfectly Good Relationships&#8217; Post</title>
		<link>http://www.cbpublish.com/2012/02/11/my-annual-valentines-ruins-perfectly-good-relationships-post/</link>
		<comments>http://www.cbpublish.com/2012/02/11/my-annual-valentines-ruins-perfectly-good-relationships-post/#comments</comments>
		<pubDate>Sat, 11 Feb 2012 20:26:00 +0000</pubDate>
		<dc:creator>CD Burns</dc:creator>
				<category><![CDATA[Breaking Down The Myth]]></category>
		<category><![CDATA[Christopher D. Burns]]></category>
		<category><![CDATA[Love]]></category>
		<category><![CDATA[relationships]]></category>
		<category><![CDATA[Valentine's Day]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/2011/02/09/my-annual-valentines-ruins-perfectly-good-relationships-post/</guid>
		<description><![CDATA[&#160; You want to buy something? Buy this shirt: http://iamshoebox.spreadshirt.com/ &#160; I&#8217;m married and very happy. I guess saying that makes it kind of suspect, but just trust me on this, life is beautiful. After working in colleges and high schools for the past few years, I have been able to witness the insanity of Valentine&#8217;s Day. In five days fifty percent of the couples we encounter will break up simply because some little white kid with wings and a bow and arrow, and his mom, decided to go around hiding in bushes and shooting people with poisoned darts of love. Actually the history of Valentine&#8217;s Day is very complex and multifaceted, but that&#8217;s not what this is about. If you want to read up on the history of this day go here. Over the next few days, guys will spend a ridiculous amount of time trying to decide what to buy. They will hit up Jared&#8217;s, watch commercials that talk about, every kiss begins with Kay, and they will go to Walgreens and buy old ass chocolates with ready made bows. These dudes will go as far as to use credit cards, which they are late in paying, to take their lovers [...]]]></description>
			<content:encoded><![CDATA[<p>&nbsp;</p>
<table class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;" cellspacing="0" cellpadding="0">
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<td style="text-align: center;"><a style="clear: left; cssfloat: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;" href="http://4.bp.blogspot.com/_AYMM4o3aGOs/TVL3XgbKB-I/AAAAAAAAACo/EGNfD3clyb8/s1600/166394_193653783979465_100000045353900_781928_526539_n.jpg"><img src="http://4.bp.blogspot.com/_AYMM4o3aGOs/TVL3XgbKB-I/AAAAAAAAACo/EGNfD3clyb8/s320/166394_193653783979465_100000045353900_781928_526539_n.jpg" alt="" width="320" height="254" border="0" /></a></td>
</tr>
<tr>
<td class="tr-caption" style="text-align: center;">You want to buy something?<br />
Buy this shirt: <a href="http://iamshoebox.spreadshirt.com/">http://iamshoebox.spreadshirt.com/</a></td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<div style="text-align: justify;">I&#8217;m married and very happy. I guess saying that makes it kind of suspect, but just trust me on this, life is beautiful. After working in colleges and high schools for the past few years, I have been able to witness the insanity of Valentine&#8217;s Day. In five days fifty percent of the couples we encounter will break up simply because some little white kid with wings and a bow and arrow, and his mom, decided to go around hiding in bushes and shooting people with poisoned darts of love. Actually the history of Valentine&#8217;s Day is very complex and multifaceted, but that&#8217;s not what this is about. If you want to read up on the history of <a href="http://www.history.com/topics/valentines-day">this day go here</a>.</div>
<div style="text-align: justify;"></div>
<div style="text-align: justify;">Over the next few days, guys will spend a ridiculous amount of time trying to decide what to buy. They will hit up Jared&#8217;s, watch commercials that talk about, every kiss begins with Kay, and they will go to Walgreens and buy old ass chocolates with ready made bows. These dudes will go as far as to use credit cards, which they are late in paying, to take their lovers to eat at the most romantic place on earth, The Olive Garden. Because, as we all know, nothing spells romance like free breadsticks and a waiter named Romeo effing up your fettucine.</div>
<div style="text-align: justify;"></div>
<div style="text-align: justify;">In short dudes will play hard, but get soft, so they can get hard later, only to get soft again (wink wink). Well not really, if they forget to get something they may get hard, but it will be to a video of Pinky or Michelle Tucker, while they sit around talking with their boys about, &#8220;I don&#8217;t know why she trippin.&#8221; The reality is that guys should do something nice for their lovers. My problem is that no one should allow a day to dictate when and how they should celebrate the beauty of a relationship.</div>
<div style="text-align: justify;"></div>
<div style="text-align: justify;">I see it like this, those little hard candies with the quotes on them are gross as hell, well the Sweet Tart ones are pretty good, but on average many of the gifts given are not worth the effort. I wake up everyday and admire my wife. I may not say it, but I try to give small hints that express my affection. In Robert Hayden&#8217;s poem &#8220;Those Winter Sundays&#8221; Hayden speaks of the unspoken love a father shows his family and how as a child he overlooked the love that his father was trying to show. I think women, miss out on cues that men give on a daily basis. Then they wait for one day out of the year to be shown respect and affection instead of expecting Valentine&#8217;s treatment to be given year round.</div>
<div style="text-align: justify;"></div>
<div style="text-align: justify;">In short, a woman will allow a perfectly good relationship to be ruined by a day that was begun by pagans to celebrate spring and fertility. Now this is pretty absurd considering most of the time a woman will not adhere to the guidelines of the original holiday which is to be fertilized. That&#8217;s kind of tacky.</div>
<div style="text-align: justify;"></div>
<div style="text-align: justify;">I&#8217;ve seen high school guys get treated like dirt, after not giving anything. I&#8217;ve seen college girls texting in the middle of class, hitting the screen like the person on the other end knows they are mad from the taps on the screen. I&#8217;ve seen old dudes act a nut at the store over the last bouquet of roses. All during this time, I have always made it a point not to get into the hype of the day. While I think my wife gets somewhat irritated by this, she realizes that I&#8217;m a pretty good guy overall and I think that is the point. I asked a young lady recently if women could live without drama. She stated, &#8220;No, there always has to be something going on.&#8221; I realized at that point that in many situations where men are called dogs or men are considered no good, women are often overlooking the small signs that men consider important.</div>
<div style="text-align: justify;"></div>
<div style="text-align: justify;">When a man cleans up the kitchen, takes out the garbage, earns enough money so that you can go shopping without checking the account, when he decides to get on top, when he shaves because he knows it tickles right there, wait a minute I&#8217;m getting off topic. When a man sits and listens to you when you are talking about random ideas, when a man goes shopping so you don&#8217;t have to leave the house in the cold, when he goes to clean up the car and it&#8217;s freezing, but he doesn&#8217;t want you riding dirty, when he goes and does all of the things that are really small, he is being a good Valentine. Anything else on top of that is icing, but this year if you don&#8217;t get anything think about what&#8217;s happened over the course of the year and if you can come with 3-5 moments where you really thought, &#8220;This guy is pretty damn great,&#8221; then this Valentine&#8217;s Day, how about you get him something or even better why not just let him slide. Maybe he&#8217;ll take you out on the 15th, payday.</div>
<div style="text-align: justify;"></div>
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		<title>African American Lit: Southwest TN &#8211; Literature of the Reconstruction &#8211; The New Negro Renaissance</title>
		<link>http://www.cbpublish.com/2012/02/09/african-american-lit-southwest-tn-literature-of-the-reconstruction-the-new-negro-renaissance/</link>
		<comments>http://www.cbpublish.com/2012/02/09/african-american-lit-southwest-tn-literature-of-the-reconstruction-the-new-negro-renaissance/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 17:14:34 +0000</pubDate>
		<dc:creator>CD Burns</dc:creator>
				<category><![CDATA[African American Authors]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Afircan-American Literature]]></category>
		<category><![CDATA[Literature of Reconstruction]]></category>
		<category><![CDATA[Literature of Slavery]]></category>
		<category><![CDATA[W.E.B. Dubois]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/?p=374</guid>
		<description><![CDATA[Whew, that is one long title. We are switching gears and moving from the Literature of Slavery. Once again there is not enough time in one semester to take on the authors that you have heard of, let alone the authors you haven&#8217;t been introduced to. One of the primary elements of studying African American literature is that unlike reading literature by other cultures, Black Lit is directly influenced by the social situations of the time. Now of course Dickens and Amy Tan are writing from two distinct cultures and there is an influence from society, but I think what I am saying here is that those works have autonomy and can be read independently of the culture and as &#8220;fiction&#8221;. While writing from both the Slavery era and during the Reconstruction are so firmly rooted in the progression, or lack of progression, of Blacks in society that if the writing does not reflect the people it literally does a disservice to the advancement of the people. This creates a question that is still discussed today: Does the literature have to maintain a certain amount of dignity and responsibility to be accepted as vital and important? Where does the importance [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Whew, that is one long title. We are switching gears and moving from the Literature of Slavery. Once again there is not enough time in one semester to take on the authors that you have heard of, let alone the authors you haven&#8217;t been introduced to. One of the primary elements of studying African American literature is that unlike reading literature by other cultures, Black Lit is directly influenced by the social situations of the time. Now of course Dickens and Amy Tan are writing from two distinct cultures and there is an influence from society, but I think what I am saying here is that those works have autonomy and can be read independently of the culture and as &#8220;fiction&#8221;. While writing from both the Slavery era and during the Reconstruction are so firmly rooted in the progression, or lack of progression, of Blacks in society that if the writing does not reflect the people it literally does a disservice to the advancement of the people. This creates a question that is still discussed today:</p>
<p style="text-align: justify;"><strong>Does the literature have to maintain a certain amount of dignity and responsibility to be accepted as vital and important? Where does the importance derive? Who creates the importance and does a work that fails to develop a discussion of and about Blacks in a positive manner fail?</strong></p>
<p style="text-align: justify;">So we are in the post civil war era and I have another question: *How do you think the post Civil War era shaped the Literature?</p>
<p style="text-align: justify;">Consider the fact that we are now moving from abolitionists and slave narratives to writing that professes equality. Consider Francis Harper&#8217;s speech about equality and its continued refrain of America &#8220;cursing its own soul&#8221; be trampling on the weakest and feeblest of its members. What does this mean?</p>
<p style="text-align: justify;">More importantly the advent of the KKK in 1866 and the removal of laws from the Reconstruction literally wiped out any progress and this was further exacerbated by White Women deciding that they could not find themselves as second class citizens to Black men who had been granted certain opportunities during the Reconstruction and you find the Black American in another compromising position after the end of slavery. Sharecropping is another story that also effects the culture and art.</p>
<p style="text-align: justify;">Here is where I test to see who is reading. You are excused from the test if you submit a paper in two parts: Literary critique (5 paragraphs) and an analysis of W.E.B. Du Bois&#8217; <em>Criteria of Negro Art and Two Novels</em> (2-3 Pages MLA format with a minimum of 5 quotes, with a works cited entry of course. Your paper should analyze this topic: Did and Does art have the ability to change the perception of Blacks in society? Is thisspeech still relevant and how?</p>
<p style="text-align: justify;">That is all for right now.</p>
<p style="text-align: justify;">Prof. B.</p>
<p style="text-align: justify;">P.S. Those of you following along, I would be interested in hearing your response to this question: W.E.B. poses and interesting question in Two Novels. He makes a statement about &#8220;catering to that prurient demand&#8230; for the portrayal in Negroes of that utter licentiousness.&#8221; Are the current trend of novels that cater to the &#8220;utter absence of restraint&#8221; a problem in today&#8217;s literature?</p>
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		<title>A Huey P. Newton Story: A quick review</title>
		<link>http://www.cbpublish.com/2012/02/07/a-huey-p-newton-story-a-quick-review/</link>
		<comments>http://www.cbpublish.com/2012/02/07/a-huey-p-newton-story-a-quick-review/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 17:49:28 +0000</pubDate>
		<dc:creator>CD Burns</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[A Huey P. Newton Story]]></category>
		<category><![CDATA[Roger Guenveur Smith]]></category>
		<category><![CDATA[Spike Lee]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/?p=366</guid>
		<description><![CDATA[M-M-M-Mookie, M-M-M-Malcolm, M-M-M-Martin&#8230; Real quick what film is this from? Why is it significant? When I think of Spike Lee films there is a character in every film who captures the essence of the director&#8217;s direction and statements in performances that may be big or small. I honestly never remember the actor&#8217;s name. I just remind people of the character in Do The Right Thing who attempts to sell portraits of Malcolm and Martin while stuttering their names. Immediately everyone I speak with responds, &#8220;Was he in &#8216;Get On The Bus&#8217; also? I get excited and say yes, yes, yes; and then we both sit there and ponder, &#8220;damn, what&#8217;s his name?&#8221; His name is Roger Guenveur Smith. While Smith has generally played roles that were important to films, he has never really stood front and center in any of the major film releases or shows I have seen. Although I feel that I have seen him in a number of television and film roles, and he always leaves an impression on me, this film, A Huey P Newton Story introduces me to a charismatic, manic, intimidating, darkly comedic and distant actor who appeared to capture the nuances and movements [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><a href="http://www.cbpublish.com/wp-content/uploads/2012/02/a_huey_p_newton_story_2001.jpg"><img class="alignleft size-medium wp-image-367" title="a_huey_p_newton_story_2001" src="http://www.cbpublish.com/wp-content/uploads/2012/02/a_huey_p_newton_story_2001-208x300.jpg" alt="" width="208" height="300" /></a>M-M-M-Mookie, M-M-M-Malcolm, M-M-M-Martin&#8230; Real quick what film is this from? Why is it significant? When I think of Spike Lee films there is a character in every film who captures the essence of the director&#8217;s direction and statements in performances that may be big or small. I honestly never remember the actor&#8217;s name. I just remind people of the character in Do The Right Thing who attempts to sell portraits of Malcolm and Martin while stuttering their names. Immediately everyone I speak with responds, &#8220;Was he in &#8216;Get On The Bus&#8217; also? I get excited and say yes, yes, yes; and then we both sit there and ponder, &#8220;damn, what&#8217;s his name?&#8221; His name is Roger Guenveur Smith.</p>
<p style="text-align: justify;">While Smith has generally played roles that were important to films, he has never really stood front and center in any of the major film releases or shows I have seen. Although I feel that I have seen him in a number of television and film roles, and he always leaves an impression on me, this film, A Huey P Newton Story introduces me to a charismatic, manic, intimidating, darkly comedic and distant actor who appeared to capture the nuances and movements of the popular, yet misunderstood Huey P. Newton.</p>
<p style="text-align: justify;">A Huey P. Newton Story is a one man play written and performed by Smith. The film was recorded at the Joseph Papp Public Theater which creates a confined, dark space full of shadows and mystery. Smith sits in a chair in the middle of the stage and channels the Minister of Defense in an 88 minute performance storm. As he Newton chain smokes and discusses his life, images are displayed around the theater of scenes from the Black Panther movement. These images are timed in perfect coordination with the quirky tone set by Smith who seems to be speaking in a disoriented manner which leads me to think that this is possibly a drug addicted Huey speaking at the end of his life.</p>
<p style="text-align: justify;">While the play is deeply rooted in fact and history, Smith utilizes phrases from current events and Hip-Hop that Huey would not have possibly known. These allusions seem apt particularly the ending refrain of the play, &#8220;Birthdays was the worst days, now we sip champagne when we thirstay.&#8221; A line from The Notorious B.I.G, who ironically enough was also gunned down.</p>
<p style="text-align: justify;">This is a film that is definitely worth your time. While much of the history of the Panthers is shown this is truly a  performance that captures the conflict that is always prevalent when discussing the Panthers.</p>
<p style="text-align: justify;">I peeped it on Netflix, you <a href="http://www.pbs.org/hueypnewton/" target="_blank">can read more here.</a></p>
<p style="text-align: justify;">Written and Performed by Roger Guenveur Smith</p>
<p style="text-align: justify;">Directed by Spike Lee</p>
<p style="text-align: justify;">P.S. Oh, why is the character in Do The Right Thing important? His attempt at selling the picture of Malcolm &amp; Martin can be considered an attempt at showing that these two men were not of a different state of being and mind. These two men using different approaches wanted the same thing. The film Do The Right Thing utilizes racial tension to state the same thing. The problem is that people are in a perpetual state of stuttering. We can never really say what we mean, when we are supposed to.</p>
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		<title>African-American Literature: The Literature of Slavery -Intro</title>
		<link>http://www.cbpublish.com/2012/02/06/african-american-literature-the-literature-of-slavery-intro/</link>
		<comments>http://www.cbpublish.com/2012/02/06/african-american-literature-the-literature-of-slavery-intro/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 15:35:27 +0000</pubDate>
		<dc:creator>CD Burns</dc:creator>
				<category><![CDATA[African American Authors]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[African-American Literature]]></category>
		<category><![CDATA[George Moses Horton]]></category>
		<category><![CDATA[Gil Scott Heron]]></category>
		<category><![CDATA[Phyllis Wheatley]]></category>
		<category><![CDATA[The Literature of Slavery]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/?p=363</guid>
		<description><![CDATA[The Vernacular Tradition was a great way to start the course. We were able to analyze the language used in the various forms of oratory that helped to shape and became a part of the Black literary journey. The Literature of Slavery however delves into the beginning of Black literary exploration in America. There is a paradox though; isn&#8217;t there? Slavery is not synonymous with art or literature. *How is that Black literature came to exist within such an oppressive system of control and manipulation? *The simple answer would be that literature was born of the oppression, but what could have been the guiding force behind the words of the poets, speakers and writers of this period? Freedom or Christianity? Questions: Who produced the first work of African-American prose? Why was it important that early poets write using meter? The &#8216;attack&#8217; on Phyllis Wheatley&#8217;s poetry began early. In the 18th century what woman writer refuted Wheatley&#8217;s &#8220;On Being&#8221; and essentially adds to the future movement towards negritude and black empowerment? What African American writer used an allusion to the constitution to create his &#8220;Appeal&#8221;? How would you discuss the inherent conflict in the foundation of America? A country that was [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><a href="http://www.cbpublish.com/wp-content/uploads/2012/02/51J9023A7DL._SL500_AA300_.jpg"><img class="alignleft  wp-image-364" title="51J9023A7DL._SL500_AA300_" src="http://www.cbpublish.com/wp-content/uploads/2012/02/51J9023A7DL._SL500_AA300_.jpg" alt="" width="210" height="210" /></a>The Vernacular Tradition was a great way to start the course. We were able to analyze the language used in the various forms of oratory that helped to shape and became a part of the Black literary journey. The Literature of Slavery however delves into the beginning of Black literary exploration in America. There is a paradox though; isn&#8217;t there? Slavery is not synonymous with art or literature.</p>
<p style="text-align: justify;">*How is that Black literature came to exist within such an oppressive system of control and manipulation?</p>
<p style="text-align: justify;">*The simple answer would be that literature was born of the oppression, but what could have been the guiding force behind the words of the poets, speakers and writers of this period? Freedom or Christianity?</p>
<p style="text-align: justify;"><strong>Questions:</strong></p>
<p style="text-align: justify;">Who produced the first work of African-American prose?</p>
<p style="text-align: justify;">Why was it important that early poets write using meter?</p>
<p style="text-align: justify;">The &#8216;attack&#8217; on Phyllis Wheatley&#8217;s poetry began early. In the 18th century what woman writer refuted Wheatley&#8217;s &#8220;On Being&#8221; and essentially adds to the future movement towards negritude and black empowerment?</p>
<p style="text-align: justify;">What African American writer used an allusion to the constitution to create his &#8220;Appeal&#8221;?</p>
<p style="text-align: justify;">How would you discuss the inherent conflict in the foundation of America? A country that was built on the desire for freedom and justice, but was also built on a foundation of mistreatment and inequality?</p>
<p style="text-align: justify;">What Spanish missionary basically began the institution of slavery in the Americas?</p>
<p style="text-align: justify;">Why was it critical to slavemasters to divest Africans of their heritage? How can this be used to analyze the current lack of interest in African history by young Blacks?</p>
<p style="text-align: justify;">Virginia considered two options in response to Nat Turner. They understood that slavery was, in the words of Gil Scott Heron, &#8220;Not some happy.. party.&#8221; What were the two options and they did what in response to Nat Turner&#8217;s insurrection?</p>
<p style="text-align: justify;">Who was the earliest known female slave to author her own narrative?</p>
<p style="text-align: justify;">Why is Phyllis Wheatley the most important African American Writer of the Literature of Slavery era?</p>
<p style="text-align: justify;">When analyzing &#8220;On Being Brought from Africa to America&#8221; what line length is the poem using? Why is the poem written using this meter? What is the poem about?</p>
<p style="text-align: justify;">In George Moses Horton&#8217;s &#8220;Myself&#8221; he uses two different line lengths. Why and what is the poem possibly addressing?</p>
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		<title>Celebrate BHM 2012 &#8211; Robin Roberts</title>
		<link>http://www.cbpublish.com/2012/02/03/celebrate-bhm-2012-robin-roberts/</link>
		<comments>http://www.cbpublish.com/2012/02/03/celebrate-bhm-2012-robin-roberts/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 07:15:26 +0000</pubDate>
		<dc:creator>Lisa B</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[BHM 2012]]></category>
		<category><![CDATA[Black History Month]]></category>
		<category><![CDATA[Celebrate Black History Montth]]></category>
		<category><![CDATA[Robin Roberts]]></category>
		<category><![CDATA[TheLisaBExperience]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/?p=356</guid>
		<description><![CDATA[&#160; I’m celebrating Black History Month February 2012 by honoring living legends who gleam from leaders of our past and continue in their footsteps of making their mark on the world. Robin Roberts. Did you know that Robin Roberts will be inducted into the Women&#8217;s Basketball Hall of Fame as part of the hall&#8217;s class of 2012 for her contributions to and impact on the game of women&#8217;s basketball through her broadcasting work? The GMA co-anchor also survived 6 and a half weeks of radiation treatment after being diagnosed with an early form of breast cancer as she courageously and publicly fought her battle. (I remember the first day she revealed her cute short hair cute and removed her wig on-air. I was so inspired) &#160; From the devastation of Hurrican Katrina in her hometown Pass Christian, Mississippi to cover the AIDS epidemic in Africa, Robin Roberts has been around the globe. No stranger to primetime, Robin did the exclusive interview with Janet Jackson, the first interview after the death of Michael Jackson and Robin was also the first to interview President Obama after he was sworn is. Read her entire bio HERE. Celebrate #BHM2012 &#160;  Follow @LisaBExperience &#160;]]></description>
			<content:encoded><![CDATA[<p>&nbsp;</p>
<p><a href="http://www.cbpublish.com/wp-content/uploads/2012/02/ROBINCover.jpg"><img class="alignleft size-full wp-image-357" src="http://www.cbpublish.com/wp-content/uploads/2012/02/ROBINCover.jpg" alt="" width="850" height="315" /></a></p>
<p>I’m celebrating Black History Month February 2012 by honoring living legends who gleam from leaders of our past and continue in their footsteps of making their mark on the world. Robin Roberts. Did you know that Robin Roberts will be inducted into the <a href="http://en.wikipedia.org/wiki/Women%27s_Basketball_Hall_of_Fame">Women&#8217;s Basketball Hall of Fame</a> as part of the hall&#8217;s class of 2012 for her contributions to and impact on the game of women&#8217;s basketball through her broadcasting work? The GMA co-anchor also survived 6 and a half weeks of radiation treatment after being diagnosed with an early form of breast cancer as she courageously and publicly fought her battle. (I remember the first day she revealed her cute short hair cute and removed her wig on-air. I was so inspired)</p>
<p>&nbsp;</p>
<p>From the devastation of Hurrican Katrina in her hometown Pass Christian, Mississippi to cover the AIDS epidemic in Africa, Robin Roberts has been around the globe. No stranger to primetime, Robin did the exclusive interview with Janet Jackson, the first interview after the death of Michael Jackson and Robin was also the first to interview President Obama after he was sworn is. Read her entire bio <a href="http://abcnews.go.com/GMA/robin-roberts-biography/story?id=128237#.Tyt_TxymOsM">HERE</a>. Celebrate #BHM2012</p>
<p>&nbsp;</p>
<div> Follow @LisaBExperience</div>
<p>&nbsp;</p>
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		<title>Celebrate BHM 2012 &#8211; John Legend</title>
		<link>http://www.cbpublish.com/2012/02/03/celebrate-bhm-2012-john-legend/</link>
		<comments>http://www.cbpublish.com/2012/02/03/celebrate-bhm-2012-john-legend/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 03:02:52 +0000</pubDate>
		<dc:creator>Lisa B</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[BHM 2012]]></category>
		<category><![CDATA[Celebrate Black History Month]]></category>
		<category><![CDATA[John Legend]]></category>
		<category><![CDATA[LisaBExperience]]></category>
		<category><![CDATA[The Show Me Campaign]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/?p=351</guid>
		<description><![CDATA[Lisa B. is back and I&#8217;m celebrating Black History Month February 2012 by honoring living legends who gleam from leaders of our past and continue in their footsteps of making their mark on the world. Singer, songwriter, actor, and philanthropist, John Legend born John Roger Stephens caught my attention with his debut album and single, Ordinary People in 2004. Nine Grammies and countless worldwide tours later, Legend has proven to be one of the industries top entertainers. Not only he is busy making chart topping albums, he&#8217;s also busy giving back to his community. Check out his latest philanthropic endeaver: The Show Me Campaign. &#160; Lisa B. Follow @TheLisaBExperience]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.cbpublish.com/wp-content/uploads/2012/02/JOHNCover1.jpg"><img class="alignleft size-medium wp-image-353" src="http://www.cbpublish.com/wp-content/uploads/2012/02/JOHNCover1-300x111.jpg" alt="" width="300" height="111" /></a>Lisa B. is back and I&#8217;m celebrating Black History Month February 2012 by honoring living legends who gleam from leaders of our past and continue in their footsteps of making their mark on the world. Singer, songwriter, actor, and philanthropist, John Legend born John Roger Stephens caught my attention with his debut album and single, Ordinary People in 2004. Nine Grammies and countless worldwide tours later, Legend has proven to be one of the industries top entertainers. Not only he is busy making chart topping albums, he&#8217;s also busy giving back to his community. Check out his latest philanthropic endeaver: <a href="http://www.showmecampaign.org/">The Show Me Campaign.</a></p>
<p>&nbsp;</p>
<p>Lisa B.</p>
<p>Follow @TheLisaBExperience</p>
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		<title>African-American Lit: Southwest TN. College &#8211; The Vernacular Tradition &amp; The Last Poets</title>
		<link>http://www.cbpublish.com/2012/02/02/african-american-lit-southwest-tn-college-the-vernacular-tradition-the-last-poets/</link>
		<comments>http://www.cbpublish.com/2012/02/02/african-american-lit-southwest-tn-college-the-vernacular-tradition-the-last-poets/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 15:51:39 +0000</pubDate>
		<dc:creator>CD Burns</dc:creator>
				<category><![CDATA[African American Authors]]></category>
		<category><![CDATA[African Americans]]></category>
		<category><![CDATA[African-American Literature]]></category>
		<category><![CDATA[Amiri Baraka]]></category>
		<category><![CDATA[Ossie Davis]]></category>
		<category><![CDATA[The Last Poets]]></category>

		<guid isPermaLink="false">http://www.cbpublish.com/?p=348</guid>
		<description><![CDATA[In concluding the discussion on the Vernacular Tradition we watched a Bravo show about The Last Poets. Instead of going into detail in regard to the show, I&#8217;d like to list a series of questions/statements. I won&#8217;t state the obvious here in explaining how relevant The Last Poets remain in today&#8217;s version of the Spoken Word (They were featured on Common&#8217;s song &#8216;The Corner&#8217; from his album Be), what I would like for you to analyze and consider in regard to them is this: *The Black Power movement and the Black Arts Movement, according to Amiri Baraka, fell short in accomplishing a real goal which was to utilize the GNP of the African American community which is valued at over 405 billion dollars. This falls in line with what Dune said in the documentary. Dune stated that he left the group because he felt that the revolution through poetry was not really revolution.  What did both of these men mean here? Do you think they are correct? Now this question forces you to analyze the time that the Last Poets came into being. Some facts that you may have missed: The Last Poets consisted of the original poets: Gylan Kain, [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">In concluding the discussion on the Vernacular Tradition we watched a Bravo show about The Last Poets. Instead of going into detail in regard to the show, I&#8217;d like to list a series of questions/statements. I won&#8217;t state the obvious here in explaining how relevant The Last Poets remain in today&#8217;s version of the Spoken Word (They were featured on Common&#8217;s song &#8216;The Corner&#8217; from his album Be), what I would like for you to analyze and consider in regard to them is this:</p>
<p style="text-align: justify;">*The Black Power movement and the Black Arts Movement, according to Amiri Baraka, fell short in accomplishing a real goal which was to utilize the GNP of the African American community which is valued at over 405 billion dollars. This falls in line with what Dune said in the documentary. Dune stated that he left the group because he felt that the revolution through poetry was not really revolution.  What did both of these men mean here? Do you think they are correct? Now this question forces you to analyze the time that the Last Poets came into being.</p>
<p style="text-align: justify;">Some facts that you may have missed: The Last Poets consisted of the original poets: Gylan Kain, Dahveed Nelson and Abiodun Oyewole. The group shifted and added Puerto Rican poet Felipe Luciano (who eventually left and organized the Young Lords-the political party not the gang). As the poets loyalties and philosophies changed a second version of the Last Poets included Jalaal Nuriddin, Umar Bin Hassan and Sulaiman El Hadi.</p>
<p style="text-align: justify;">The group began unofficially on May 19th 1968 and their first official gig was at NYU.  The first suggestion for a name was the Blue Guerrillas, but they chose The Last Poets from the poem written by Dahveed Nelson.</p>
<p style="text-align: justify;">*Die Nigger Die&#8221; is a poem that is immediately identified as one of the most important poems created by the TLP. Why do you think this poem is important? What is different about the use of the word Nigger in this poem in comparison to the songs and the use of the word today?</p>
<p style="text-align: justify;">*Gil Scott Heron&#8217;s most popular poem was influenced by TLP&#8217;s &#8220;When The Revolution Comes&#8221;. What is the name of that poem?</p>
<p style="text-align: justify;">*Actor and activist Ossie Davis stated that what The Last Poets inspired in rap has been lost and is now, &#8220;Milling about in the hallways and pissy staircases of society.&#8221; What did he mean by this?</p>
<p style="text-align: justify;">I hope you all take a few minutes out of your day to learn more about The Last Poets. Go listen to a few poems and add any commentary to this section. On to the Literature and Slavery Era&#8230;</p>
<p style="text-align: justify;">Prof. B</p>
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